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The Foundry Nuke® power user for more than 15 years in the Visual Effect industry, I’ve worked on all aspects of image compositing.
From image processing, Deep compositing, stereo, look development, artistic direction to supervision, team management and tool development (python scripting), a panel of skills to help you to deliver the best image quality in the best conditions.
Compositing Supervisor, Compositing Artist, Art Director, TD.
As a compositing artist with over a decade of experience, I have developed efficient and high-quality methods. Each new project I work on is an opportunity to enhance my artistic skills and deepen my software knowledge.
It is a discipline that companies and VFX supervisors trust me with. My experiences, from advertising to feature films, as an artist and compositing supervisor, have honed my ability to make proposals that closely align with clients' needs.
Every project is unique and requires adaptability in both methods and tools. Artists should not be hindered in their artistic process due to technical aspects of the work. Thanks to my extensive experience with Nuke and my involvement in workflow and tool creation, I have been able to ensure that the compositing department maintains a tight schedule.
VFX is about collaboration, built on human experiences. Leading teams and fostering an environment that empowers people to work together, while providing them with the necessary tools, is one of the most fulfilling aspects of my work.
Comp sup credits: The Substance (2024), Godzilla: King of Monsters (2019), Bumblebee (2018), Mowgli (2018), Fantastic Beasts (2018), Antman And The Wasp(2018), The Greatest Showman (2017), The Promise (2016), Startrek Beyond (2016), Black Sails (2016), Allegiant (2016) ...
Lead comp credits: Godzilla x Kong (2024), Avatar (2022), Black Adam (2022), Kong Skull Island (2017), Warcraft (2016) ...
To speed up the comp process, eliminate repetitions, and use shortcuts, I have learned Python to create utility tools, panels, and automation scripts.
I have substantial experience in supervising teams and driving sequence look development on ambitious projects. Whether it's managing a remote team across different locations (US, South America, Canada...) or delivering images from my studio, my organization and methodologies have been highly valued and approved by the leading companies I have collaborated with.
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